Music
Keyword: Music
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Article in Journal | Posted 13/03/2017 Cumming, Naomi (1999). Musical Signs and Subjectivity: Peircean Reflections Deals with the reflections of philosopher Charles Peirce on musical signs and subjectivity. Presentation of intuition as an independent faculty; Discussion on problems concerning the application of...
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Article in Journal | Posted 13/03/2017 Whelden, Roy (2000). The Origins and Use of the Theory of Relations: Peirce, DeMorgan and Music Analysis Compares the initial works of Augustus DeMorgan and Charles Peirce on relation theory. Significance of Boolean algebra; Information on Peirce's notion of relative logarithms.
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Article in Journal | Posted 13/02/2016 Kruse, Felicia (2005). Emotion in Musical Meaning: A Peircean Solution to Langer's Dualism The article discusses the concept of musical meaning. The controversy sparked by Viennese music critic Eduard Hanslick on the meaning of music is discussed in this paper. Moreover, the role of...
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Monograph | Posted 19/01/2016 Ojala, Juha (2009). Space in Musical Semiosis: An Abductive Theory of the Musical Composition Process |
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Article in Journal | Posted 02/01/2016 Rumph, Stephen (2015). Fauré and the Effable: Theatricality, Reflection, and Semiosis in the mélodies Gabriel Fauré play's a leading role in Vladimir Jankelevitch's influential critique of musical hermeneutics, La musique et I'ineffable (1961). For the French philosopher, Fauré's...
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Article in Journal | Posted 22/12/2015 Kruse, Felicia E. (2007). Is Music a Pure Icon? The article reviews the book "Peirce's Theory of Signs," by T. L. Short.
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